ballast nvp056 (olivia block and adam sonderberg 10" lathe) and nvp057 (vertonen cdr) now available

I am excited to share two new ballast releases.

first, the second lathe in the 10” lathe series is now available. “standing animals,” a one-sided lathe, was recorded, photographed, and arranged by olivia block and adam sonderberg. the release also comes with a movie on DVDr.

 

edition of 25 signed and numbered copies. each lathe in the series is $50 ppd in the US.
If you subscribe to the lathe series, the price per lathe drops drastically and guarantees you will get copies of each release in the series, which includes Relay for Death, Aaron Dilloway, Evicshen, vertonen, and MV Carbon.
See this post for more information.

ballastnvp057, lost in the vermilion sea, is the most recent vertonen release. the recording utilizes field recordings (raw and processed) of storms and water in conjunction with sine waves and shortwave recordings (raw and processed).

 

 

 

 

 

 

 

edition of 29 signed and numbered copies. $10 ppd in the US. 

if you are overseas, please contact me for shipping for any releases.
thanks as always for your interest!

Ballast NVP055: vertonen – Black Patti 8056 (10” lathe, CDR) now available.

It’s been at least four years since I first had the notion that it would be “neat” to own a Black Patti 78. It’s a select slice of Chicago recording history, they’re ridiculously difficult to come by, and they do have one of the more beautiful logos. However, they also sell for sums of money that I can certainly put to better use, so I’m at peace with a Black Patti 78 not being in my possession.
Or am I?
Black Patti 8056 is the first lathe in the 10” lathe series.
I originally thought I would build the tracks from recordings of what many consider the rarest Black Patti, 8030, because the music was not previously (or subsequently, or contemporaneously) released by any other labels. However, after some less than satisfying results, I opted to start with some piano recordings I‘d made in winter 2022 and some other permutated sample materials.
The title of side B, “frying bacon blues,” is a nod to the description frequently given to surface noise on 78 RPM shellac records.
The lathe’s labels, of course, had to pay homage to the original Black Patti labels: huge thanks are due to my friend Ryan Bahrke for his design prowess.
And finally, the hand-printed manila sleeve is my take on a “reproduction” of a Black Patti sleeve—which are actually rarer than many of the 78s.
(Also, the title, Black Patti 8056, is in reference to the last Black Patti catalog number of 8055.)
The accompanying CDR contains two pieces, approx. 20 minutes each, that build off some of the elements / themes on the lathe.
Edition of 25 signed and numbered copies, $50 ppd in the US.
If you subscribe to the lathe series, the price per lathe drops drastically and guarantees you will get copies of each release in the series, which includes Relay for Death, Aaron Dilloway, Evicshen, Olivia Block & Adam Sonderberg, and MV Carbon. See this post for more information.

10" lathe series subscriptions now available

With the 7” lathe series coming to a conclusion (almost two years after it was launched, cough cough) I figured a 10” lathe series made total sense.

the participants are as follows:

evicshen
relay for death
aaron dilloway
mv carbon
olivia block and adam sonderberg
vertonen

there will be 25 numbered copies of each release, with 19 available for sale.

each release will:
1) come with supplemental, complementary embellishments from each artist (be it audio, video, textural, or combinations thereof) 

2) be signed by the artist, and 

3) have packaging designed (and in some cases created) by the artist.
as with any ballast release, reflecting the artist’s vision and intention is the umbrella under which I operate.

each release will be priced at $50.

however, there is a prepaid subscription option of all six for $222, which bring the price down to $37 ea (within the US, shipping included).

I am open to discussing payment plans so as not to overwhelm anyone's bank account.

Please contact me at vertonen@earthlink.net before arranging payment: I absolutely don’t want to oversubscribe.


if you are outside of the US, I want to avoid astronomically horrendous shipping costs. most folks who have ordered from overseas have worked out shipping plans with larger orders from other labels in the US, and I’m glad to keep on that path.

last but not least, from the 7” lathe lessons learned department, this series is operating on a much more clearly explicit timeframe.

to wit, I asked all artists to provide their lathe audio to me by April 15, and with the exception of one artist (who is on tour in europe), everyone is slated to do so. which means the prospect of this series being completed in the calendar year is much stronger.

...and kind reviews of nvp052 and 053

 

Big appreciation to Bauke van der Wal for his extremely kind words on the two new ballast releases in vital weekly.

 

He beautifully nailed the sound poetry angle I was exploring on Parry & Eliza: “If drones are made of layers with tones instead of notes, how would compositions sound if words were chosen instead of tones? … Do incoherent words together still form lyrics? Or maybe better: Do combined words always produce a text?”

Then for the dead edits release, karaoke power electronics, he dug into some solid parsing of what exactly constitutes power electronics, concluding with, “To sum things up: You're not only getting a CDR with an hour of sounds, you're also getting a 12" with it !!! It might be made of cardboard, but it's round. It doesn't have any grooves but well... I suspect then if (when?) you play it... The record might produce some great noise.”

(plot twist, eric and I think it does.)

ballast nvp 052 (dead edits) and nvp 053 (vertonen) now available

 

 ballast NVP052, dead edits: karaoke power electronics (CDR, 12” cardboard record)

some might say cut hands has the solution: we humbly submit that, no, dead edits has the solution.

dead edits: karaoke power electronics is exactly what it says: all of the extreme electronic music without the lyrics. not quite “harsh noise walls,” karaoke power electronics is designed to be a utilitarian release. for example: if you’re driving and some fellow driver does a particularly thoughtless gesture, instead of road rage, pop in this recording and create your own power electronics track with vocals dedicated to that person. or host a noise-themed karaoke party at your house. or use the tracks in a live performance.

“but can I play the cardboard record?”

why of course you can…it’s your turntable: you don’t have to say please!

all similarities between the visual elements of this release and certain germinal releases of other power electronics pioneers is 100% intentional.

edition of 25 numbered copies.
$19 US: overseas, get in touch!

ballast NVP053: vertonen: parry & eliza (CDR)

 

on the opposite shore of dead edits: karaoke power electronics sits this release. bereft of “music,” this is the culmination / termination point of the parry & eliza work I’ve trickled out over the past year or so.

a quick overview: it’s 1972, and we’re at the nascent stages of AI chatbots. two chatbots interact with one another over ARPANET to mimic a therapy session. i ran the resulting text through a text to speech program, assigned voices to each “participant,” and then went at it. think stefan weisser’s sound poetry experiments and you’ll be at home. headphones strongly recommended.

edition of 29 copies.

$10 US, overseas, get in touch!

vertonen: capsized 2 x CDR

Pleased to announce the first ballast release of 2023: vertonen: capsized 2 x CDR.

The audio on the release continues my exploration of field recordings, shortwave, and electronics, most closely connected, aurally, to the two double cassette releases, territories et terrains (nvp44 and nvp46) and also expands upon the themes of ballast nvp38, widow’s walk.

 

Each copy comes with a unique hand-painted cover.

 

Edition of 30 signed and numbered copies, $25 ppd in the US. overseas, please get in touch for shipping.

thanks!

 

 

Vanessa Rossetto: The Year (7" lathe, DVD-R)

 

I am excited to announce ballastnvp050: "The Year" b/w "Ordinary Time" by Vanessa Rossetto.

 

Field recordings and musical elements intertwined to create two tracks of delightfully unsettled beauty. 

 

The DVD-R contains two videos by Matthew Revert, Vanessa’s long-time collaborator, as well as the original stereo mixes of the audio on the lathe. 

 

All release artwork by Matthew as well.

 

As of November 8 there are seven copies remaining of this release, and they are $35 ppd in the US (overseas, please get in touch for shipping).